Americana, Folk Art, and Outsider Art presented in New York April 25

Circa-1900-1915 cotton quilt with a Lone Star or Star of Texas variation pattern, estimated at $800-$1,000 at Jasper52.

NEW YORK – On Thursday, April 25, starting at 6 pm Eastern time, Jasper52 will present its next Americana, Folk Art, and Outsider Art sale, featuring almost 675 lots curated by Clifford Wallach, an expert in tramp art, folk art, and Americana. The full catalog is open for bidding at LiveAuctioneers.

Quilts always feature in Jasper52 Americana sales, and two of the three highlights for April 25 are in fact quilts. The first is a circa-1900-1915 cotton quilt with a Lone Star or Star of Texas variation pattern. Described as being in ‘very good, lightly used condition’, it measures 80 by 80in and is estimated at $800-$1,000.

The star among the needlework offerings is a heavily detailed silk-on-silk picture of a bucolic scene that includes a house, a windmill, grazing sheep, a cow, a lounging dog, a man and a boy hunting, and another man seated on a rock playing a horn as a seated shepherdess listens. Completing the image is a duck pond populated with birds, some swimming and some on the grass. Unusually for needlework of its era, it boasts a date – August 15th 1788 – and is signed ‘H Hambbeton’. The work carries an estimate of $4,000-$5,000.

The other quilt highlight is relatively recent, but stands out for its origin. The circa-1950 applique quilt measuring 85 by 85in was recently found and purchased in Hawaii. Per the lot notes: ‘It has been very lightly used if at all. It is in excellent condition with no problems.’ Its estimate is $2,000-$2,500.

Charting the Past: Exclusive Antique Maps show the way to Jasper52 April 24

London Passenger Transport Board - Underground Railways of London, estimated at $2,000-$2,500 at Jasper52.

NEW YORK — Embark on a visual odyssey through England of the 19th and 20th century with Jasper52‘s Charting the Past: Exclusive Antique Maps sale taking place Wednesday, April 24 at 8 pm Eastern time, exclusively at LiveAuctioneers.

Created and printed by David Burley in 1950, this map of East Kent pub ‘inn-signias’ charts dozens of heralds adorning popular drinking establishments. Inn-Signia of Whitbread Houses in East Kent measures 22.25 by 32.25in and carries a $2,000-$2,500 estimate.

London and its environs – levels taken by order of the Commissioners of Sewers is a circa-1850 map charting the greater London area for use by the Metropolitan Commission of Sewers, which had been formed in 1848. The map shows both Battersea Park and Waterloo Station, which both date to that year. The 42.25 by 51.5in map is estimated at $5,000-$6,000.

Dating to 1933, London Passenger Transport Board – Underground Railways of London charts the extensive London Underground subway system at the time of its printing. Measuring 5.5 by 7.75in, the map is estimated at $2,000-$2,500.

Nelson Forever! A Naval Legacy in Ceramics and Glass sails into Bonhams April 23

A Chamberlain Worcester teapot, cover, and stand from the Horatia Service, estimated at £25,000-£35,000 ($31,410-$43,970) at Bonhams.

LONDON — Bonhams will hold a sale on Tuesday, April 23 titled Nelson Forever! A Naval Legacy in Ceramics and Glass. The single-owner collection of Nelson-themed ceramics includes pieces from some of the most celebrated services made for the British naval hero and his great love, Lady Emma Hamilton.

Nelson, a noted admirer of fine porcelain, owned several renowned services — some given as presentation gifts, others he commissioned himself at significant expense. Most are mentioned in the inventory of Lady Hamilton’s possessions when she was forced to part with almost everything in return for loans in 1813.

A London-decorated Paris porcelain teapot and cover from the Baltic service is estimated at £20,000-£30,000 ($25,125-$37,690). It carries the words 2nd April, Baltic – references to the day in 1801 when Nelson destroyed the Danish fleet at Copenhagen, with additional dates, 14th February and Glorious 1st, remembering victories at Cape St. Vincent in 1797 and the 1794 Battle of Ushant.

The service — embellished in a London decorating workshop on both Copeland and Paris porcelain blanks — was part of a presentation of chinaware given to Nelson in 1802 by the Ladies of the City of London. A tea set was listed at Merton, the Surrey, England home Nelson and Hamilton shared, in an 1805 inventory, with other elements of the service owned by family members.

Only occasionally do pieces turn up for sale. This teapot last sold for £28,000 (£35,000 or $43,970 with premium) at a Waterloo-themed auction held by Bonhams in 2015.

The 138-lot sale on April 23 includes eight pieces from the so-called Horatia service, made circa 1802-1803 at the Chamberlain’s Worcester factory. The commission, named after Nelson’s daughter, is well-documented: a breakfast, dinner, and dessert service decorated in pattern number 240 with the addition of Nelson’s arms.

James Plant, a junior painter at the Chamberlain factory, later recalled the moment the distinguished visitors arrived in the decorating studio to place the order. “And then,’ said Plant, ‘a very battered looking gentleman made his appearance — he had lost an arm and an eye —  leaning on his left and only arm was the beautiful Lady Hamilton, evidently pleased at the interest excited by her companion; and then, amongst the general company following after, came a very infirm old gentleman — this was Sir William Hamilton.”

Only the breakfast set was completed at the time of Nelson’s death at the Battle of Trafalgar. While the bill totaling £120, 10 shillings, and sixpence was eventually paid from his estate, the 150 pieces were kept as surety against money advanced to Emma and were later dispersed at auction.

The eight items here range from a small dish, estimated at £600-£800 ($755-$1,005), to a teapot, cover, and stand estimated at £25,000-£35,000 ($31,410-$43,970).

A Coalport cup and saucer painted with a portrait of Lady Hamilton is signed and dated 1804 by the leading porcelain decorator Thomas Baxter. Painted in the year before Trafalgar, this is probably the piece referenced in a letter Nelson wrote to Emma on board the HMS Victory on May 27, 1804: ‘Your dear phiz (face) — but not the least like you — on the cup, is safe; but I would not use it, for all the world; for, if it was broke, it would distress me very much.’

The cup and saucer were likely a personal gift from Emma Hamilton to Nelson. It is known that Baxter visited Emma at Merton, the aforementioned home she shared with Nelson, on multiple occasions where he sketched her from life. The cup and saucer are together estimated at £15,000-£25,000 ($18,845-$31,410).

Early Artus Van Briggle chalice and vase aim for new heights at Rago April 24

Artus Van Briggle for Van Briggle Pottery, chalice (toast cup), estimated at $25,000-$35,000 at Rago.

LAMBERTVILLE, N.J. – Two Artus Van Briggle works come to market at Rago at its Wednesday, April 24 American & European Art Pottery sale. Given the performance in January at Rago’s Early 20th Century design sale of the Artus Van Briggle Despondency vase, which achieved a staggering $104,800 with buyer’s premium, expectations are high for both items, though one is disproportionately valued when compared to the other. The complete catalog is now open for bidding at LiveAuctioneers.

Born in the Netherlands, Artus Van Briggle relocated from Paris to Colorado Springs, Colorado in 1899, which may have been the period’s biggest cultural shock experience ever recorded. Van Briggle had been a successful painter, but he sought a different direction – pottery – and with the Art Nouveau movement flourishing, he soon assumed a leadership role through his new firm, Van Briggle Pottery, founded in 1901 and which survives to this day.

This ‘early and rare toast cup’, or chalice, is dated to 1902, marking it as one of the first waves of product to emerge from the nascent firm. Made of glazed earthenware and measuring 11.25in high by 7.5in wide with a 7in diameter, the work features an underwater motif with a mermaid, and its base is marked Van Briggle 1902 AA III. Beautiful in design, Rago has estimated it at a modest $25,000-$35,000.

Another 1902-dated item is the Van Briggle Pottery four-color vase with columbine. Also glazed earthenware, it stands 10.25in high with a 4in diameter. Its base is marked AA Van Briggle 1902 III 25, and it carries a more affordable estimate of $5,000-$7,000.

Michael Goldberg’s ‘Sad Street’ leads our five lots to watch

‘Sad Street’ by Michael Goldberg, estimated at $100,000-$150,000 at Freeman’s Hindman April 24.

Michael Goldberg, ‘Sad Street’

CHICAGO – Michael Goldberg (1924-2007) was a leading member of the Abstract Expressionist movement in New York. He was friends with Hans Hofmann, Jackson Pollock, Willem de Kooning, Joan Mitchell, and Helen Frankenthaler, and is best remembered for the gestural action paintings that defined his artistic career.

Goldberg earned a Bronze Star and a Purple Heart serving in both North Africa and the China-Burma-India theaters of World War II. His injuries lead to partial paralysis in his arm, for which the Veterans Administration recommended he pursue stone carving and sculpting as rehabilitation. This exposed him to elements of collage that would later become an integral part of his painting practice.

Sad Street is from 1958 and is considered a masterpiece of Goldberg’s output. Freeman’s Hindman describes it as “an expansively abstract work, all thickly applied dynamism and expressive brushwork, a brother to the Smithsonian’s Sardines.” The 60 by 54in oil on canvas appears as part of its Post War and Contemporary Art sale scheduled for Wednesday, April 24. It is estimated at $100,000-$150,000.

Circa-1937 ‘Shake a Leg’ Novelty Cocktail Shaker

‘Shake a Leg’ ruby glass and chrome plated novelty cocktail shaker, estimated at $1,500-$2,500 at Woody Auction on April 20.
‘Shake a Leg’ ruby glass and chrome plated novelty cocktail shaker, estimated at $1,500-$2,500 at Woody Auction on April 20.

DOUGLASS, Kan. – The Saturday, April 20 sale at Woody Auction titled Art Glass, Lamps, & Much More includes this ruby glass and chrome-plated novelty cocktail shaker. Dated circa 1937, the ‘Shake a Leg’ mixer was made for only a brief time by West Virginia Specialty Glass. This example, from the private collection of Frank and Melissa Keathley of Top Shelf Antiques of Texas, carries an estimate of $1,500-$2,500.

Samuel Morse-signed Carte De Visite

Signed Samuel Morse carte-de-visite, estimated at $800-$1,200 at Turner Auctions + Appraisals on April 21.
Signed Samuel Morse carte-de-visite, estimated at $800-$1,200 at Turner Auctions + Appraisals on April 21.
SOUTH SAN FRANCISCO, Calif. – Turner Auctions + Appraisals will open A Secret Vault on Sunday, April 21. The sale features a selection of collectables recently rediscovered by the owners, a couple from Northern California, which were passed down from a family member. Housed in a storage vault in Wyoming were a cache of stamps, coins, and autographs, seemingly bought through the venerable British firm Stanley Gibbons (which is now part of the Strand Collectibles Group). The 95 lots include this carte-de-visite photograph of a bearded Samuel Morse (1791-1872) autographed on the verso in black fountain pen as ‘Saml. FB Morse’. It is estimated at $800-$1,200.

Earliest-known Miller's Reversible Minnow Lure with Picture Box

Miller's Artificial Baits For Game Fish Minnow lure with original box, estimated at $3,000-$4,000 at Blanchard’s Auction Service April 26.
Miller's Artificial Baits For Game Fish Minnow lure with original box, estimated at $3,000-$4,000 at Blanchard’s Auction Service April 26.

POTSDAM, N.Y. – Blanchard’s Auction Service brings 730 lots of antique angling gear to market Friday, April 26, including an early 1910s Miller’s Reversible Minnow with an incredibly scarce and clean picture box, estimated at $3,000-$4,000.

Marked ‘Miller’s Artificial Baits For Game Fish Minnow,’ the white pasteboard box features a crisp illustration of the lure and bears the words ‘Manufactured by Combo Engineering Co., Inc. Union Springs, N.Y.’

The 4 1/4in minnow features a slender wood body finished in yellow with hand-painted gold spots, fine through-body wire, and PAT. PEND.-marked brass and gunmetal reversible spinners, with Miller’s silver-washered screw eye rigging and the original barrel swivel.

Although most likely unfished, the lure has areas of uneven varnish and similar wear from decades of tackle box storage. The extraordinary and historically important box is solid, with some wear and soiling, and is one of the nicest examples of the few known to collectors. As described by the auctioneer, “Even for the most advanced lure collection, this combination would be considered the holy grail – you may never see another.”

Black-Figure Amphora Attributed to the Antimenes Painter

Black-figure amphora attributed to the Antimenes Painter, estimated at £45,000-£90,000 ($56,860-$113,720) at Apollo Art Auctions April 27.
Black-figure amphora attributed to the Antimenes Painter, estimated at £45,000-£90,000 ($56,860-$113,720) at Apollo Art Auctions April 27.

LONDON – The Antimenes Painter is a term used by archaeologists and historians to describe an unknown artisan who was active between 530 and 510 BC in the Etruria region of ancient Italy that spans portions of modern-day Tuscany, Lazio, and Umbria. At least 150 works are ascribed to him, with most found in Etruria, and it is believed he was employed in the art workshops of Andokides. His figural renderings mimic those of Psiax, who was active 525 to 505 BC.

Apollo Art Auctions specializes in fine antiquities with clear provenance. This black-figure two-handled amphora features a festive scene featuring Dionysus, the Greek god of wine. In the illustration, Dionysus can be seen holding his drinking cup (kantharos) and is surrounded by dancing companions, including a satyr and a maenad.

The amphora is described as being of exceptionally high quality and comes with an authentication certificate from the CIRAM laboratory in France, including a thermoluminescence test. It is also accompanied by a professional historical report from Ancient Report Specialists and has been fully cleared by the Art Loss Register. Estimated as the top lot in Apollo Art Auctions’ two-day Fine Ancient Art & Antiquities sale on Saturday, April 27 and Sunday, April 28, the Antimenes Painter amphora is estimated at £45,000-£90,000 ($56,860-$113,720).

Aesthetic movement porcelain by Minton and Royal Worcester brings beauty to Strawser April 23

Royal Worcester Aesthetic movement moon flask decorated with Japanese-style fauna against a black ground, estimated at $1,500-$2,500 at Strawser Auction Group.

WOLCOTTVILLE, Ind. – A collection of Aesthetic movement porcelain formed by the New York-New Jersey retailer Helene Fortunoff (1933-2021) will be presented at Strawser Auction Group on Tuesday, April 23. Fortunoff, who joined the retail operation of her husband’s family in Brooklyn in the 1950s, oversaw the firm’s expansion into jewelry and became its president in 2000.

The Aesthetic movement and its Far Eastern-inspired designs were her passion. Buying through the London dealership Nicholas Boston Antiques during the past two decades, she amassed a 243-lot collection of wares, predominantly by Royal Worcester and Minton, that epitomized the late 19th-century ‘cult of beauty.’

Japanese- and Chinese-style porcelains were first exhibited by Royal Worcester in London in 1872 – a decade after displays of Japanese works of art had caused a sensation at the expos in London (1862) and Paris (1867). R.W. Binns, the artistic director of the Royal Worcester factory, built up his own collection of Far Eastern ceramics to inspire and educate his workers in the concepts of asymmetry, flat patterning, and simplified form.

There are 54 lots of Royal Worcester wares from this singular period in the Fortunoff collection. Few are slavish copies. Instead, they are works of Orientalism, adapted and assimilating to meet Western ideals and taste. They include a remarkable pair of circa-1875 moon flasks that combine a Far Eastern form with decoration borrowed from the European Renaissance. The central floral displays are done in pate sur pate, the ‘clay-on-clay’ technique that arrived in the UK from Paris with the decorated Marc-Louis Solon in 1870. Together, these moon flasks carry the top estimate of the sale at $5,000-$7,000.

Many of the best Aesthetic movement wares of the Minton factory were designed with the input of Christopher Dresser. An expert on Eastern art and design, Dresser had drawn huge inspiration from the Japanese Court at the 1862 exhibition and visited Japan himself as a British emissary in 1876. Prior to his journey, he was hired by Tiffany & Co. of New York to assemble a representative collection of art and design objects.

The 58 lots of Minton porcelain includes several pieces from the famous series of Dresser wares designed in imitation of cloisonné. A cabinet plate, similar to others shown by Minton at the 1878 Paris International Exhibition, is estimated at $800-$1,200. As always, bidding is available via LiveAuctioneers.

A. Elmer Crowell’s ‘finest’ duck decoy swims into Guyette & Deeter April 25-26

A. Elmer Crowell, preening black duck decoy, estimated at $300,000-$500,000 at Guyette & Deeter.

LOMBARD, Ill. —The duck decoy that many consider to be A. Elmer Crowell’s finest achievement will be offered at Guyette & Deeter this month. The model of a preening black duck made by the Massachusetts carver circa 1905 is among the many highlights of the Alan and Elaine Haid collection, to be presented on the first day of the Thursday, April 25 and Friday, April 26 Annual Spring Decoy and Sporting Art Auction. The catalog is now available at LiveAuctioneers.

The supremely carved 17in model that retains its original paint under an early coat of varnish was made for one of Crowell’s most important patrons. The Boston stockbroker Stanley W. Smith (1869-1941) wintered in the city but summered in Cape Cod, where he hunted wildfowl on Little Pleasant Bay. This, one of many pieces he bought from Crowell in East Harwich, passed down in the Smith family for several generations before it entered the Haid collection. It has been pictured in a number of publications including in New England Decoys by Shirley and John Delph and in Elmer Crowell: Father of American Bird Carving by Steven O’Brien and Chelsie Olney. Such excellence does not come cheap: the estimate is $300,000-$500,000.

Alan and Elaine Haid started their collecting journey together in 1967. The fruits of more than 50 years spent in one collecting field is a grouping of some of the rarest examples by many of the leading American decoy artists.

Among the best-known works by Robert Elliston (1847-1925) of Bureau, Illinois is an oversize hollow-carved model of a preening black duck. Made in the 1880s, this 17in model with its original paint intact was found by an antique collector at a New England flea market in the spring of 1984 and sold in the first-ever Julia and Guyette auction that same year. It has since been pictured in many decoy books, including Decoys: North America’s One Hundred Greatest by Loy S. Harrell Jr. It sports an estimate of $80,000-$120,000, and is one of eight decoys by Elliston in the collection.

Alan Haid became a successful dealer and appraiser of decoys and would write two books. Chosen as a front cover illustration for Decoys of the Mississippi Flyway, which he wrote and published in 1981, was a pair of hollow carved American mergansers by the Mason Decoy Factory (1896-1924) of Detroit, Michigan. They are estimated at $50,000-$70,000.

Pictured on the front of Mason Decoys – A Complete Pictorial Guide, the book he co-authored with Russ Goldberger in 1993, was a solid-body drake in original paint. The back cover showcased a circa-1900 two-piece model of a curlew with glass eyes and iron bill. They are both included in the sale, with estimates of $80,000-$120,000 and $30,000-$40,000, respectively.

Original 1934 and 1935 Monaco Grand Prix posters could top $25K at Lyon & Turnbull April 24

Georges Hamel, 1935 Monaco Grand Prix poster, estimated at £15,000-£20,000 ($18,845-$25,125) at Lyon & Turnbull.

LONDON – Original printings of two of the most reproduced of all automotive posters will appear at Lyon & Turnbull this month. The Wednesday, April 24 auction of Travel & Vintage Posters includes the posters designed by Georges Hamel for the Monaco Grand Prix in 1934 and 1935. They share the sale’s highest estimate at £15,000-£20,000 ($18,845-$25,125) apiece.

Posters for the oldest race on the Formula 1 racing calendar – ’34 and ’35 were the sixth and seventh stagings of the race – are among the most reproduced of all vintage poster artwork. Those designed by Georges Hamel (who signed his works Geo Ham) are particularly popular, combining bucket-loads of Art Deco styling with views of classic prewar vehicles racing on the Riviera.

Georges Hamel (1900-1972), the Prince of Speed, was at the top of his game when these two posters were produced. Having received the first of many commissions from French car magazine Omnia and the weekly L’Illustration in 1920, he was quickly engaged by race organizers and car marques to produce artwork for the Machine Age. He lived and breathed his subject matter: inspired to take up painting after watching a motor race in his hometown of Laval in 1913, he was himself an amateur racer and mechanic. He co-drove a 2-liter V8 Derby L8 at Le Mans in 1934 and owned a Bugatti Type 40.

Hamel’s pastel-hued design for the 1934 Monaco Grand Prix was commissioned by race organizers Association Internationale des Automobile Clubs Reconnus (AIACR) and printed by Monegasque of Monte-Carlo. Although he chose as his subject gentleman racer Lord Howe (the 5th Earl Howe, Francis Richard Henry Penn Curzon) pulling ahead in his Maserati, the April 2 race was dominated by the successes of the Alfa Romeo team. The Algerian Guy Moll took the checkered flag at the age of 23 years and 10 months old, and remained the youngest driver to have won a Monaco Grand Prix until Lewis Hamilton (aged 23 years and 4 months) did so in 2008.

The 1935 poster, which depicts a shining aluminium Mercedes-Benz W25 out front, proved more prophetic. A tight race on April 22 was dominated by Mercedes and Alfa-Romeo, with Luigi Fagioli — the Abuzzi Robber — taking the flag in his W25B, slightly more than 31 seconds ahead of René Dreyfus in his Alfa-Romeo P3.

Several original copies of both posters have sold in recent years, with most passing the $20,000 mark.

Trio of M.C. Escher prints bewitch bidders at Swann’s April 30 sale

M.C. Escher, ‘Whirlpools’, estimated at $30,000-$50,000 at Swann.

NEW YORK – Speaking about his 1957 color wood engraving and woodcut dubbed Whirlpools, shown above, Dutch artist M.C. Escher said: “I doubt that ‘the public’ will ever understand, much less appreciate, how many gymnastics of the brain, fascinating to me, have preceded the construction of such a picture.”

Maurits Cornelis (M.C.) Escher (1898-1972) was, sadly, correct at the time when he uttered those words. Only in his final years did he start receiving the acclaim he deserved. While the general public might not fully understand what went into the designs of his beguiling, math-inspired prints, they certainly appreciate them now. When Escher performed his gymnastics of the brain, he always stuck the landing. In its Tuesday, April 30 sale of Old Master Through Modern Prints, Swann Auction Galleries will offer three confections by Escher. The catalog is now open for bidding at LiveAuctioneers.

The aforementioned Whirlpools, which is signed and inscribed ‘eigendruck’, a German term that translates as ‘own printing’, is the only one of the three to feature color. Swann describes the swirling image of fish as ‘A very good impression of this scarce print’, and it carries an estimate of $30,000-$50,000.

Circle Limit IV (Heaven and Hell), a woodcut dating to 1960, depicts fearsome devils in black and praying angels in white. Also signed and inscribed, Swann’s auction notes state ‘We have found only 5 other impressions at auction in the past 30 years.’ Its estimate is $25,000-$35,000.

The earliest M.C. Escher print on offer in the April 30 sale is a 1955 lithograph titled Convex and Concave, which sets forth one of his famous scenes of impossible architecture. The lot notes quote F.H. Bool, author of several books on Escher, attempting to capture the brain-boggling nature of the image in words: ‘When carefully studied, this print is a visual nightmare. At first glance, it seems to be a symmetrical structure: the left half is an approximate mirror image of the right half and the transition from left to right is gradual and very natural. Nevertheless something terrible happens at the transition in the center: everything is literally turned inside out. The top becomes the bottom, the front becomes the back. People, lizards and flowerpots rebel against the inversion; we identify them too clearly with tangible realities of which we do not know the inside-out form. But they, too, have to pay the price when they cross the borderline: their relation to the environment becomes so strange that looking at them makes you feel dizzy. For example, at the bottom left a man is climbing onto a platform by a ladder. He sees a small temple in front of him. He could stand next to the sleeping man and wake him up to ask why the shell-shaped pool in the middle is empty. Then he could go to the stairs on the right with the intention of walking up them. But it is already too late! What looked like stairs seen from the left, has suddenly turned into part of an arched vault. He would notice that the platform, which was once firm ground under his feet, is now a ceiling, and he would crash down with a terrified scream. The border line between the left and right half cannot be crossed without danger.’

Merida, Rivera, and Dieguez highlight Moran’s Latin American Art and Design sale April 23

Gustavo Montoya, 'Girl on a Chair,' estimated at $8,000-$12,000 at John Moran.

MONROVIA, Calif. — Discover the vibrant colors and rich cultural heritage of Latin America at the Latin American Art and Design sale at John Moran Auctioneers Tuesday, April 23. The catalog is now open for bidding at LiveAuctioneers.

Leading the highlights of fine art is Abstracted Figures, a 1952 oil on Masonite by Guatemalan and Mexican artist Carlos Merida (1891-1984). He grew up in a culturally rich environment, influenced by Guatemala’s indigenous Mayan heritage and vibrant artistic traditions. As one of the premiere Latin American artists of the 20th century, Merida was inspired and interested in almost anything artistic, ranging from painting to murals to printmaking, theater production, and interior design. The work is estimated at $7,000-$9,000.

In December 2023, Moran’s offered a work by the Mexican artist Diego Rivera, Men working the field outside a dwelling, which achieved a price realized of $41,275. Rivera (1886-1957) was a prominent painter whose large frescos helped establish the mural movement in Mexican and international art. This sale includes another Rivera work, El Niño Del Taco (Boy With Taco) dating to 1932, which is estimated at $6,000-8,000.

Representing Peruvian art will be works by Jose Sabogal Dieguez (1888-1956). He emerged as a key figure in Peruvian art after his artistic journey took him to Europe, where he was influenced by avant-garde movements. Returning to Peru, he championed the indigenist movement, celebrating the country’s indigenous culture. His bold use of color and his keen attention to his subjects captured the essence of Peruvian life and landscapes. Dieguez’s Cosco Paya-Cuna (Chisme) dates to 1926 and is estimated at $6,000-$8,000.

The sale’s top-estimated lot is by Mexican artist Gustavo Montoya (1905-2003), an undated oil on canvas titled Girl on a Chair. The lot is accompanied by a certificate of authenticity from the Wolfryd Collection, signed by Rick Wolfryd and Blanca Montoya. It carries an estimate of $8,000-$12,000.