Christopher Cardozo’s artisanal reproduction of Curtis’ ‘North American Indian’ set for Santa Fe Art Auction April 10

Edward S. Curtis, 'The North American Indian - Cardozo Fine Art Republication,' estimated at $20,000-$30,000 at Santa Fe Art Auction.

SANTA FE, N.M. — Christopher Cardozo (1948-2021) was the world’s leading expert on Edward S. Curtis (1868-1952), whose The North American Indian was the first scholarly presentation documenting and preserving information about Native Americans. Cardozo’s collection of photogravures — plus an artist’s proof copy of his exhaustive reissue of Curtis’ work — will appear at Santa Fe Art Auctions on Wednesday, April 10. The complete catalog is now available for review and bidding at LiveAuctioneers.

The artist’s proof of Cardozo’s own magnum opus, the artisanal reproduction of The North American Indian, is the star of the sale. Lovingly and painstakingly assembled during years of work, each of the 75 limited edition sets presents Curtis’ photography and writings in its entirety: 2,234 photographs, and 2,500,000 words and transcriptions of Native language and music. This edition is number 2 of 8 personally authorized by Cardozo, examples of which are rarely, if ever, seen at auction. Hindman sold a Curtis original in November 2023 with a hammer prices of $700,000 ($910,000 with buyer’s premium). Cardozo’s edition is estimated at $20,000-$30,000.

The sale also features numerous Edward S. Curtis photogravures owned by Cardozo. They include Medicine Crow – Apsaroke, 1908, estimated at $4,000-$6,000; Lawyer – Nez Perce, 1905, estimated at $3,500-$4,500; and Shot in the Head – Apsaroke, 1908, estimated at $3,000-$5,000.

Tony Bennett: A Life Well Lived brings the famed singer’s collection to market at Julien’s April 18-19

David Hockney, Tony Bennett-gifted and signed assemblage portrait, estimated at $20,000-$30,000 at Julien's.

GARDENA, Calif. — Julien’s Auctions announced its latest celebrity sale, Tony Bennett: A Life Well Lived, a two-day event scheduled for Thursday, April 18 and Friday, April 19. The catalogs are now available for review and bidding at LiveAuctioneers.

Born Anthony Benedetto (1926-2023), the Grammy Award-winning singer and artist enjoyed a career spanning eight incredible decades. Bennett saw a resurgence in the 1980s and 1990s, thanks to his son Danny taking over his personal management. He made appearances on The David Letterman Show and the MTV Video Music Awards as well as MTV Unplugged: Tony Bennett; Duets: The Making of an American Classic; and several chart-topping albums.

Danny commented, “It is astonishing to have the opportunity to view all these items in a collection such as this, which represent Tony’s remarkable life, but also embody a part of our shared American history. Beyond his musical legacy, which is unparalleled and will continue to remain relevant, his lifetime of positive engagement impacted so many people and events. He did everything with such artistry, compassion, and integrity, which is a testament to the extraordinary person he was each and every day.”

“The world was blessed beyond words to have had the incomparable Tony Bennett in it. He changed the world with his artistry, humanitarianism, and one-of-a-kind voice that transcended generations,” said David Goodman, CEO of Julien’s Auctions.

One of the sale’s leading lots is a David Hockney (b. 1937-) assemblage of five color photocopies creating a full-length portrait of Tony Bennett. Mounted and framed with an inscription in the artist’s hand reading, There is no such thing / as an unlimited edition and Color is fugitive in life / like it is in pictures with additional inscriptions reading,  for Tony Sept 13th 1990 and hand stamped / David Hockney. The portrait served as album artwork for Bennett’s Fifty Years: The Artistry of Tony Bennett (Columbia, 2004). It is estimated at $20,000-$30,000.

Bennett’s personal Rolex Day and Date wristwatch made of gold with diamonds is estimated at $25,000-$35,000. It comes complete with everything from the Rolex factory, which custom-built the timepiece for Bennett.

Clearly important to Bennett was an ALS from Martin Luther King, Jr., thanking the singer for changing his schedule in order to perform at the march on Selma, Alabama in 1965. In reads in part, Your talent and good will were not only heard by those thousands of ears, but were felt in those thousands of hearts, and I give my deepest thanks and appreciation to you. /  With warmest good wishes, Martin. Complete with its mailing envelope with an Atlanta, Georgia postmark, it is estimated at $20,000-$30,000.

When it comes to music history, it doesn’t get better than this National Academy of Recording Arts and Sciences Grammy nomination plaque presented to Tony Bennett for Best Solo Vocal Performance – Male I Left My Heart In San Francisco for 1962. Bennett went on to win, forever sealing his association with not only the number-one song but the city of San Francisco as well. It is estimated at $3,000-$5,000.

Davidson collection of antique microscopes to sell at Gray’s April 17 to benefit Case Western’s medical museum

Culpeper Type Compound Monocular Microscope, estimated at $800-$1,200 at Gray's.

CLEVELAND – A collection of microscopes and other antique scientific instruments from the estate of Ohio scientist John A. Davidson Jr. (1939-2023) will be presented at Gray’s Auctioneers on Wednesday, April 17. Titled The Art of Discovery, Part 1, proceeds from the sale will benefit the Dittrick Museum of Medical History at Case Western Reserve University, where many of the pieces had been on display.

Davidson, who worked with the tire makers BF Goodrich and later at CWRU, had a great passion for historical instruments and machines. Among the clubs and societies to which he belonged were the Stanley Steamer, the Magic Lantern, the Pittsburgh Climbers, and the Northeastern Ohio Live Steamers.

His collection of 18th- and 19th-century microscopes numbered more than 40 different models. The earliest in the sale is an Italian ‘simple’ microscope of brass screw barrel design dated circa 1715. Contained in a fitted book-form box that is bound in leather and titled Physique Nouvelle, the microscope’s accessories include eight objectives (apparently molded and not ground), two eye pieces, and a mounting ring to use as a magnifier. With no identical example of this particular instrument known, it is estimated at $8,000-$10,000.

Made circa 1745 is a compound microscope signed for John Cuff (circa 1708-1772). An important London instrument maker, he traded as a ‘Spectacle and Microscope Maker’ at ‘the sign of the Reflecting Microscope and Spectacles opposite Sergeant’s Inn’ on Fleet Street from 1737-1757 and then from ‘the sign of the Double Microscope, three Pairs of Golden Spectacles & Hadley’s Quadrant’ opposite Salisbury Court in the Strand. Famously, after supplying several microscopes to the court of George III, he had his portrait painted in his workshop by the Anglo-Swiss artist Johann Zoffany in 1772. Cuff’s instrument, employing ‘new’ features such as a Lieberkuhn reflector to enhance the amount of focussed light, is estimated at $3,000-$5,000.

There are several examples of the Culpepper-type compound monocular microscope, named after the famous instrument by Englishman Edmund Culpeper (circa 1670-1738). An evolutionary step from the true Culpepper, many were intended for the pleasure of the leisured classes and amateur biologists.

Although unsigned, one of these with a turned wood ocular support and a leather and ray skin draw tube is close to those signed by the mid-18th-century London maker Matthew Loft. With accessories and four objectives, it is estimated at $3,000-$5,000.

From the Victorian ‘brass and glass’ era of instrument production is a James Smith compound monocular first-class microscope dating to circa 1840 and estimated at $3,000-$5,000. Signed J. Smith London and bearing the serial number 12, it is one of the earliest known British achromatic compound microscopes. The earliest microscope by Smith owned by the Royal Microscopical Society has the serial number 43.

Japanese Woodblock Prints presented in New York on April 10

Tsukioka Yoshitoshi, ‘Looking as if she wants a drink: the appearance of a town geisha of the Ansei era (1854-70)’, from the Thirty-two Aspects of Customs and Manners series, estimated at $4,500-$5,500 at Jasper52.

NEW YORK – On Wednesday, April 10, launching at 8 pm Eastern time, Jasper52 will present a sale of Japanese Woodblock Prints, featuring 87 lots of works from Tokuriki, Masao Ebina, the Utagawa School, and more. Absentee and Internet live bidding will be available through LiveAuctioneers.

First among the highlights is Bakufu Ohno’s (1888-1976) 1950 print Rice Planting, which shows an undulating landscape with farmers at work. Described in the lot notes as having ‘Fine impression and color, toning’, it is estimated at $200-$250.

There is also a fine 1888 first edition impression with tri-color cartouche of Looking as if she wants a drink: the appearance of a town geisha of the Ansei era (1854-70) from the Thirty-two Aspects of Customs and Manners series by Tsukioka Yoshitoshi (1839-1892). The woodblock print is estimated at $4,500-$5,500.

And a 1960 self-published woodblock print by Sekino Jun’ichiro (1914-1988), titled Yoshiwara and belonging to the series Fifty-three Stations of the Tôkaidô, is estimated at $2,500-$3,000. It shows a group of people in winter clothes in the foreground and a looming mountain peak in the background. The lot notes state: ‘This is the VERY RARE, first version of Yoshiwara of 1960. Later, in 1974, Sekino designed another, entirely different print for this series, with the title Yoshiwara.’

 

 

Clarice Cliff Bizarre ware platter leads our five lots to watch

Clarice Cliff Bizarre ware pottery dish with a sunburst pattern, estimated at $200-$400 at Rivich Auction.

Clarice Cliff Bizarre Ware Platter

CHICAGO – The commercial interest in Clarice Cliff’s Bizarre Ware was such that it was exported to North America, South Africa, Brazil, Cuba, Holland, Australia, and New Zealand. Some of the earliest wares from the range, launched by Newport Pottery in October 1927, were designs such as this platter decorated with colored triangles and banding. It has an estimate of $200-$400 and is one of a number of Clarice Cliff lots in Rivich Auction’s Sunday, April 14 sale titled High Style Estates: Deco Garden Mid Century.

Paul Newman-worn 1975 Racing Helmet

Paul Newman-owned and -raced Simpson Racing Products helmet with bag and photographs, estimated at $5,000-$15,000 at Winter Associates.
Paul Newman-owned and -raced Simpson Racing Products helmet with bag and photographs, estimated at $5,000-$15,000 at Winter Associates.

PLAINVILLE, Conn. — Academy Award-winning actor Paul Newman (1925-2008) enjoyed a very full life, starring in some of the 20th century’s best-loved films, such as Cool Hand Luke (1967), The Color of Money (1986, for which he won his only Oscar), Butch Cassidy and the Sundance Kid (1967), and Slap Shot (1977). Newman’s likeness can still be found on supermarket shelves across the United States as branding for Newman’s Own food products, which continue to raise funds for charities nearly 20 years after his passing.

In the early 1970s, following the lead of fellow actors James Garner (who starred in the 1967 film Grand Prix) and Steve McQueen (showcased in the 1969 film Le Mans), Newman tried his hand at auto racing and soon proved himself track-worthy. Newman’s first professional start was in 1972 at Thompson International Speedway in Connecticut, where he entered as ‘P. L. Newman,’ the name he would ultimately be billed as when racing. Newman migrated to Sports Car Club of America (SCCA) events, where he would end up winning four national championships.

This authenticated Simpson Racing Products helmet comes with numerous photographs of Newman using it at races. It is marked P L Newman / No Allergies / January 26 1925 / Blood O Pos and is accompanied by a Summit Racing carry bag. It is a star lot at Winter AssociatesAutomobilia & Literature Auction scheduled for Saturday, April 6. The entire lot has an estimate of $5,000-$15,000.

Circa-1895 Tinplate Magic Lantern by Georges Carette

Die Fabrik (The Factory), a circa-1895 tinplate lantern by Georges Carette, estimated at $1,500-$2,500 at Austin Auction Gallery.
Die Fabrik (The Factory), a circa-1895 tinplate lantern by Georges Carette, estimated at $1,500-$2,500 at Austin Auction Gallery.

AUSTIN, Texas – The French toymaker Georges Carette (1861-1954) is thought to have learned how to make magic lanterns from the Paris specialist August Lapierre. After moving his operations to the German toymaking capital of Nuremberg, Carette produced a series of different toy models, from the basic to the elaborate. Among his most creative was Die Fabrik (The Factory), a circa-1895 tinplate lantern made in the form of an industrial building and chimney. A good example with much of its original paintwork and lithography intact has been consigned to Austin Auction Gallery as part of a Friday, April 12 sale of Antique Cameras and Magic Lanterns. It has an estimate of $1,500-$2,500. The 517 lots represent the collection of Sam Westfall of Texas.

19th-century Drawings for Patriotic Tattoos

George Washington sketch from a book of 19th-century tattoo designs, estimated at $400-$600 at Soulis Auctions.
George Washington sketch from a book of 19th-century tattoo designs, estimated at $400-$600 at Soulis Auctions.

LONE JACK, Mo. – This graphite drawing with red gouache highlights is one of four patriotic scenes that originated in the sketch book of a 19th-century tattoo artist identified as I.E. Reiquier. By repute, the group was purchased from Balish Antiques at the Madison Square Gardens Antique Show in 1956 and later appeared at a tattoo history exhibition at the American Folk Art Museum.

Dated circa 1870, this sheet depicts the bust of George Washington within a frame of symbols perfect for the Centennial. Each of the 6 by 6in designs has an estimate of $400-$600 at Soulis Auctions’ Saturday, April 13 sale titled Americana 1830 to 1940

1817 Silver Passover Compendium by George Heinrich Steffen

Neoclassical silver Passover compendium by George Heinrich Steffen, made in Berlin in 1817, estimated at $25,000-$35,000 at J. Greenstein & Co.
Neoclassical silver Passover compendium by George Heinrich Steffen, made in Berlin in 1817, estimated at $25,000-$35,000 at J. Greenstein & Co.

CEDARHURST, N.Y. – Religious silver is usually made to established models and in a conservative taste. The Passover compendium on offer in J. Greenstein & Co.’s Important Judaica Spring Sale on Tuesday, April 16 is an exception, representing the very latest neoclassical trend when made by the Berlin silversmith George Heinrich Steffen in 1817. Just two years earlier, Jews in Berlin had been granted Prussian citizenship, and the various regulations and taxes that had unfairly targeted them were rescinded. Religious life centered on the Old Synagogue in present-day Mitte, Germany.

Working predominantly as a maker of table silver from 1796 to 1828, George Heinrich Steffen is known to have made a number of pieces of Jewish liturgical silver, including a pair of rimmonim (torah finials) now in the Hamburg Museum. This 2ft 4in neoclassical Passover compendium is struck with both the maker’s mark and the city mark to the base of the temple tower, the cup of Elijah temple, and the six detachable shell-form Passover food holders. Previously sold at Christie’s New York in October 1990, it has an estimate of $25,000-$35,000.

Majestic Heights: Mountain Landscape Art scales the heights in New York April 10

Manailo Fedor Fedorovich, 'Sunset landscape,' estimated at $56,000-$80,000 at Jasper52.

NEW YORK — Jasper52 brings breathtaking vistas and tranquil serenity to market with Majestic Heights: Mountain Landscape Art, a 156-lot sale featuring the world of landscape art. Scheduled for 6 pm Eastern time on Wednesday, April 10, the complete catalog is now available for review and bidding exclusively at LiveAuctioneers.

This oil on canvas of a sunset landscape is by Ukrainian artist Manailo Fedor Fedorovich. Known for his works of Transcarpathia, this 38 by 58in work features bold colors and a brooding vantage point. It is estimated at $56,000-$80,000.

Hut in the mountains is an oil on canvas by Tyukha Ivan Andreevich. A soldier in the Great Patriotic War (World War II), he had his first solo exhibition in 1957. An acknowledged master of thematic paintings and landscapes, Andreevich is a legend among Ukrainian artists. The work is estimated at $26,075-$37,250.

Born in Yerevan, Armenia in 1922, Atayan Armen Arshakovich lived and worked in both his hometown and in Kiev throughout his lifetime. Mountain Landscape is a 31.5 by 47.25in oil on canvas depicting a mountainous landscape with placid water. It is estimated at $18,900$27,000. 

Return to the Wild West with Holabird’s 4-day sale April 6-7 and 13-14

Buffalo Bill Cody CDV, estimated at $10,000-$20,000 at Holabird.

RENO, Nev. — Holabird Western Americana returns in April with two two-day events during the course of two weeks. Titled Wild West Relics, the sale contains 2,224 lots of vintage photography, western memorabilia, Native Americana, stock, mining and railroad share certificates, even a gold nugget — there’s something for every Western Americana collector. The catalogs are now open for review and bidding at LiveAuctioneers.

Dr. Timothy Wilcox was an Army physician assigned to many of the Western forts, especially Fort Huachuca in Arizona. His photographic archive consists of hundreds of photographs taken circa 1860-1864 and is an unparalleled candid view into the American West of the Civil War period. It is estimated at $5,000-$15,000.

A carte de visite (CDV) of a young Buffalo Bill Cody in the 1870s was originally made by the Theatrical Photography Co. It measures 4 by 5in and its estimate is $10,000-$20,000.

Along with Samuel Clemens (Mark Twain), Bret Harte (1836-1902) chronicled the California Gold Rush and the American West of the time. In 1863, he signed this Alta No. 2 Copper Mining Co. stock certificate. Holabird states “This is the only Hart-signed Alta stock that we are aware of!” It is estimated at $3,000-$8,000.

From the gold fields in the Mount Shasta region of northern California comes this 2.5 by 3.5in gold and quartz nugget. Found decades ago by a metal detectorist in old sluice tailings, it’s described as “museum quality” and rare because most were crushed and melted. The piece weighs about 1.75 pounds and contains about $14,000 in gold at $1,750 spot pricing. It is estimated at $15,000-$22,000.

Tiffany, Steuben, and Lalique dominate the Art Nouveau collection at Heritage April 18

Gallé mold-blown cameo glass Calla Lily vase, estimated at $40,000-$60,000 at Heritage.

DALLAS — An amazing array of Tiffany Studios, Steuben, and Lalique glass dominates the 455 lots in the Pursuit of Beauty: Art Nouveau, Deco & Glass sale at Heritage Auctions on Thursday, April 18. The catalog is now available for review and bidding at LiveAuctioneers.

In a show of force, examples of Tiffany Studios confections make up an amazing 47 lots in the sale, with the options mostly split between lamps and favrile glass. The sale’s top-estimated lot is a circa-1910 Tiffany Studios Trumpet Creeper chandelier. Made of leaded glass and patinated bronze, it was last sold at Sotheby’s in 2012 where it emerged from a private collection in Forest Hills, New York. The lamp is estimated at $150,000-$200,000.

Among the favrile glass selections, the most anticipated lot is a circa-1910 Tiffany Studios favrile glass and gilt bronze seven-light Lily lamp. Standing 21in in height, the lamp is estimated at $8,000-$10,000.

Founded in 1903, Steuben is one of the names that made Corning, New York the glass capital of not only America, but the world. Still in operation today, Steuben has a long history of producing some of the most collectible glass in the market, with varieties such as Aurene, Tyrian, and Tiffany. Among the sale’s Steuben selections, the leader is a red Aurene glass footed vase dating to around 1910. Standing 12.25in in height, it carries an estimate of $40,000-$50,000.

Lalique makes up a highly curated and desirable 15 lots in the sale. This R. Lalique engraved glass artistic vase features a sepia patina and was made around 1919. It is estimated at $7,000-$9,000.

From the creative vision of the master of Art Nouveau glass comes this circa-1920 Gallé mold-blown cameo glass Calla Lily vase. It measures 14 by 14in, has stunning color and design, and is estimated at $40,000-$60,000. The sale includes 26 Gallé items in all.

Gorham Martelé turtle soup tureen and plates come to Doyle April 10

Gorham Martelé Sterling Silver Covered Terrapin Soup Tureen on Stand, estimated at $10,000-$20,000 at Doyle.

NEW YORK – A turtle soup tureen and 12 matching soup plates from Gorham’s exclusive Martelé range will be presented at Doyle New York. Offered as part of the Manhattan firm’s Wednesday, April 10 auction of American Art, Silver, Furniture & Décor, the two lots are estimated at $10,000-$20,000 and $7,000-$10,000, respectively.

Turtle soup, which first became a delicacy on European tables with the emergence of the West Indies trade in the 18th century, was hugely popular among the elite of American society at the turn of the 20th century. It was the favorite dish of the 27th U.S. president, William Howard Taft, who went so far as to hire a chef at the White House for the specific purpose of preparing turtle soup.

Gorham’s archives list four similar ‘terrapin sets’ in the handmade Martelé line. Another terrapin tureen of a differing model, with 12 bowls, was sold by Sotheby’s New York in April 2023 for $30,000.

Like the others, Doyle’s example would have been hugely expensive. As a point of reference, the archives report that a similar Martelé tureen took 136 hours to make and 158 hours to chase, all in the context of a 60-hour week. The net factory price was $520. The dishes, priced at $50 each, took more than eight hours each to ‘raise’, and thereafter required around 20 hours of chasing.

The tureen, with its turtle finial and stand with stylized shell and seaweed feet, dates to 1912 and weighs 124 troy ounces. Across the bombe-form body and domed cover it is chased with scrolling seaweed and ripples to replicate water.

Each of the dozen matching soup plates are chased and engraved to the scalloped borders with turtles, shells, and seaweed. They weigh a total of 147 troy ounces.

The trade name Martelé derives from the French verb ‘marteler’ (to hammer), denoting the distinctive hand-hammered surface of the silverware. The range was produced in Gorham’s Providence, Rhode Island workshops by its best silversmiths under the direction of Englishman William Christmas Codman (1839-1921).

Leading the 18th-century silver is a previously unrecorded inverted pear form teapot by Swiss-born silversmith Daniel Christian Fueter (1720-1785), who worked in the latest fashions in New York. Dated 1762 to the base, it is engraved with the crest and initials of descendants of Albert Albertszen Terhune (circa 1623-1685), a Huguenot ribbon weaver from Holland who settled in Gravesend in Kings County (now part of Brooklyn). The teapot, one of only a few examples of holloware by Fueter in private hands, is estimated at $6,000-$8,000.

Three Maud Lewis works and the Greg Hisey Canadiana collection featured at Miller & Miller April 13

Maud Lewis, 'Cow In Spring Meadow,' estimated at CA$25,000-CA$30,000 ($18,460-$22,150) at Miller & Miller.

NEW HAMBURG, Canada — In response to market demand from collectors, three more Maud Lewis naîve works head to market, along with the Greg Hisey Canadiana collection, on Saturday, April 13 at Miller & Miller. The catalog is now available for review and bidding at LiveAuctioneers.

Maud Lewis (1903-1970) continues to see strong market demand as a result of recent Miller & Miller sales. The sale’s three art lots are topped by Cow In Spring Meadow from either late 1965 or 1966. The mixed media on beaver board measures 12 by 14in and is estimated at CA$25,000-CA$30,000 ($18,460-$22,150).

Fans of vintage automata will take note of a Blaise Bontems caged singing bluebird, estimated at CA$9,000-CA$12,000 ($6,645-$8,860). In perfect operating condition, the bird has lifelike actions and sings the realistic warbling for which Bontems was known. A master watchmaker, he turned to mechanical birds but retired in 1881, making this piece from an earlier date.

Dating to the early 1900s, this Dr. Lesure’s Famous Remedies point-of-sale display cabinet features terrific horse artwork and is in remarkable, original condition. It is accompanied by an original sales brochure for the company’s equine medicine line and is estimated at CA$3,500-CA$5,000 ($2,585-$3,690).

Coca-Cola was an early entrant to the nascent Canadian soda market. Before World War II restrictions halted steel production, the soft drink behemoth manufactured this French-language porcelain sign for the Quebec market. Measuring an impressive 4 by 8ft, the sign carries an estimate of CA$3,500-CA$5,000 ($2,585-$3,690).